Origins and suggestion toward the function of the monument are depicted in the accompanying work SEEKER, as the protagonist is guided across unknown expanses. Ritualistic movements from one post to the next are seen to articulate human presence within the landscape.

POST, found centred within an open setting, carries out the notion of a museological finding, the most grandiose of them all and a possible 'final destination.' It is pulled into a new world and treated with an obscure reverence.

Pyramid structures support delicate pewter casts of mussels shells, like the kind found in freshwater, and once shed in the rivers of Scotland, for the chance of obtaining a prized pearl. Within the composition the enclosed 'prize' of the shell is absent. The shells themselves become husks, or considered as vestiges. With speculation of these tokens as clues or keys to an expanded PLYNE, a view of an alternate environment is opened that is surveyed by an unknown protagonist, across the dual screen projection installation, SEEKER.